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But at this point, I see, there will perhaps be some who will raise as an objection.
They would be right to do so, except that, just as for a clothed figure we first have to draw the naked body beneath and then cover it with clothes, so in painting a nude the bones and muscles must be arranged first and then covered with appropriate flesh and skin.
This use also accounts for the frequent repetition of figures and motifs in the body of drawings, which has been much discussed.
Other ex-Pelli-Fabbroni drawings are in the Courtauld Gallery, London, and in a number of private collections.
Disegni di A.
See Carlwhere the fourteen volumes are many times mentioned in the family documents.
Pierpont Morgan Library,p.
Kundig, in collaboration with E.